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Eric Ankrim as Curly McLain in Rodgers and
Hammerstein's "Oklahoma!" at The 5th Avenue Theatre. Photo credit Curt
Doughty.
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Note: If you haven't already read my previous post (A Review of "Oklahoma!" at Seattle's 5th Avenue Theatre -- Oh, Not Such a "Beautiful Mornin'" ) please do. It has received plenty of attention and a variety of comments.
On Wednesday I received an e-mail and new press release from the 5th Avenue's Public Relations Manager Bridget Summers to let me know that because of the strong responses to the way race was handled in the production of "Oklahoma!" the theater plans to host four panel discussions and a town meeting to provide a forum for the public. The press release included the following:
"The choice to cast African American actor Kyle Scatliffe as the farm hand Jud Fry
has been earning strong reactions. While
Scatliffe has been applauded for his nuanced portrayal of the character, there
are some audiences who are concerned that having the only African American
performer among the principals play the villain reinforces negative stereotypes
about African American men."
So, dear readers, you are officially invited to attend and participate.
Here are the dates and times, from the most recent press release:
Panel
discussions will take place between the matinee performance and evening
performance on February 18 and 25 at 5:00 PM and February 19
and 26 at 4:30 PM, and will feature Spectrum Dance Theater Artistic Director
and Oklahoma! Choreographer Donald
Byrd and The 5th Avenue’s David Armstrong.
A Town Hall Meeting featuring
the executive team at The 5th Avenue Theatre and members of the creative team
for Oklahoma! will take place on Monday, March 5, at 7:00 PM.
INFO: For more
information, please visit http://www.5thavenue.org/education/adult-programs#show-talk
I close with a statement from Artistic Director David Armstrong:
I close with a statement from Artistic Director David Armstrong:
“While we never intended to evoke such strong responses, I am in many ways heartened that this production has people talking about these important issues. The idea that musicals could, and should, tackle big themes and significant subjects largely began with Oklahoma! and I am not unhappy to see that legacy continue.
“We did believe that this casting would amplify the inherent drama
in the story. I’ve seen dozens of
productions of Oklahoma!, but never
before have I felt such empathy for Jud, and never before have I felt so sad
when he dies.
“I never would have imaged that in 2012 a production of this
almost 70-year-old musical could cause such a stir. I am a firm believer that great theater
inspires dialogue, and I look forward to engaging our audiences on this
difficult subject and hearing their reactions to this unorthodox casting
choice.”