"Lovely Ladies" - The Company of the New 25th Anniversary of Les Misérables Photo: Deen van Meer |
"One Day More" - The Company of the New 25th Anniversary of Les Misérables Photo: Deen van Meer |
"Barricade" - The Company of the New 25th Anniversary of Les Misérables Photo: Deen van Meer |
The sets, designed by Matt Kinley and inspired by Victor Hugo's own paintings, were amazing in their detail and versitiliy. And the
clever use of the moving projection of background images created special
effects I’ve never seen on a stage before, illusions of movement that felt
entirely believable. Then, of course, there is the music that has been reproduced in nearly 40 recordings.
"Stars" - Andrew Varela (Javert) Photo: Deen van Meer |
"Fall of Rain" - The Company of the New 25th Anniversary of Les Misérables Photo: Deen van Meer |
Although, in the beginning, it seemed a little difficult to hear the
lyrics, I soon found myself getting most of the words. I don’t know whether I simply became more tuned in as time went on, or if an adjustment had been made in the
orchestra vs. vocal volume levels. Some diehard Les Miz fans I spoke with during intermission said it takes a few times
to catch all the lyrics in any production. Nevertheless, I had no problem following the story line and
appreciating the subtleties. Solo vocal performances came through clearly and moved me.
The choice of Peter Lockyer as Jean Valjean, the fugitive and central
figure, could not have been better. His impassioned vocals imbued his character
with humanity. Andrew Varela, as Javert, delivered his songs with power. Betsy
Morgan gave a heartfelt performance as did
Briana Carlson-Goodman as Éponine, who drew my compassion as the young woman suffering from unrequited love for Marius, played by Max Quinlan. Timothy Gulan and Shawan M. Hamic, as Thénardier and Madame Thénardier
brought humor and physical comedy into this serious story, but with a malevolent
edge that made them delightfully obnoxious.
"Beggars at the Feast" - The Company of the New 25th Anniversary of Les Misérables Photo: Deen van Meer |
I loved the costumes for their contrasting rich and subdued hues and authentic style. According to the
theater, the cast’s wardrobe contained over 5,000 costume pieces, including 57 brown shawls, each one different from the others. The only costume I didn’t care for was Madame Thénardier’s hot pink dress with
its puffball-like trim. I realize it was meant to represent bad taste, but its extreme
outlandishness and guaudiness seemed better suited to a Disney cartoon than Les Miz. However,
it took nothing away from Hamic’s superb
performance.
For the sake of those who don’t care to support the arts—those who view live theater as some kind of useless liberal fluff in a society that seems less and less willing to support anything that enriches lives—I offer this point of practical interest. When Les Miz came to Seattle in 2011, it
pumped $1.5 million into the local economy. Just one matinee last August grossed
$202,257 and brought 2,085 extra people to the downtown retail core on a Thursday
afternoon. Unfortunately, the people with whom I would like to share these
statistics are most likely not
reading theatre reviews.
Most importantly, theater, like all the arts, make us think, question, and explore the potential of the human spirit. Creativity is vital to a civilized world. Art matters. To all of us. Support it.
Need any more reasons to go? Here’s the link to the box office.
"I Dreamed A Dream" - Betsy Morgan (Fantine) Photo: Deen van Meer |
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